威尔汉姆•哈莫修依 (1864-1916)

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艺术家威尔汉姆•哈莫修依目前没有任何作品正在拍卖

艺术市场观察

Yayoi Kusama at the Louis Vuitton Foundation After London, it’s now Paris’s turn to host one of the famous immersive creations by the grand old dame of Japanese artist. In the framework of what the Foundation is calling “The Collection of the Foundation. A Vision for Painting” the museum is presenting Infinity Mirror Room – […]

With so few major works coming up for sale, prints constitute the majority of sales in this segment.

The leading lights of symbolism are Edward Coley BURNE-JONES (English), Pierre PUVIS DE CHAVANNES, Gustave MOREAU, Félicien ROPS and Odilon REDON (all French), Arnold BÖCKLIN (Swiss), James ENSOR (Belgian) and Edvard MUNCH (Norwegian).

Around 1890, in a reaction against impressionism and the creeping materialism of the industrial revolution, a new pictorial language began to emerge across Europe, symbolism. Not content with reproducing the real world, the symbolists broke away from narrative and landscape art and its canons, and sought to connect with their viewers’ sensitivity through shapes and colours. Prices for their work have risen steadily in the past 10 years (+116% between 1992 and June 2003), but the diverse personalities and nationalities making up the symbolism movement is reflected in a wide variation in prices.

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(丹麦)的威尔汉姆•哈莫修依 (1864-1916)是出生于1864的艺术家。 他在本站上的最早一笔成交记录为 绘画,于1984年在佳士得拍出。最新一笔记录则为于2021年拍出的绘画。他在Artprice.com艺术家关键数字及市场趋势是依据277笔成交结果所作的分析。 特别是:绘画, 水彩作品, 版画, 雕塑, 家具.