凯特•哈林 (1958-1990)的艺术市场新闻
Artprice最近一期艺术市场报告
艺术市场观察目录
The high end market for prints: focus on Hokusai’s Great Wave [2021年11月10日]
Matisse and Picasso, Haring and Basquiat, Warhol, Richter and Banksy… the year’s top-selling prints have shown a distinct preference for Modern & Contemporary works over ‘historical’ works. Indeed, the appeal of the new is perfectly illustrated by the fact that the year’s highest price in this medium so far is for a work by Banksy, […]
Eli Broad: the unreasonable collector [2021年05月25日]
“The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore, all progress depends on the unreasonable man” George Bernard Shaw. Eli Broad made this maxim his own; he even alluded to it in the title of his autobiography / success manual published in 2012, […]
The Paris art market gains in quality [2019年12月10日]
Sotheby’s stands out from its competitors in Paris. A month after the records hammered at its Claude and François-Xavier Lalanne sale – 100% of the lots sold and the highest total for a Sotheby’s sale in Paris (€91.3 million versus an estimated high total of just 23 million!) – the company has ended the year […]
The best-selling Contemporary art prints [2018年06月22日]
In our fortnightly series of theme-based auction rankings, this week’s Friday Top article looks at the prints segment of the art market, a particularly fruitful segment for works by the hottest signatures in Contemporary creation. Rank Artist Hammer Price ($) Artwork Sale 1 Keith HARING (1958-1990) 964 400 Andy Mouse 27/03/2018 Sotheby’s Londres 2 […]
Flash News: Paper Positions – The Fondation Carmignac [2018年04月20日]
Paper Positions kicks off in Berlin Paper Positions – focusing on all forms of creativity on (or in) paper – opens April 26-29 in the superb atrium of the Deutsche Telekom Hauptstadtrepräsentanz. This year the fair will present drawings, collages, cutouts, paper-folding, art books, written works and 3-D creations. Of modest dimensions – just 46 […]
George Condo ascending… [2018年04月03日]
Shown on the cover of Phillips’ New Now sale catalogue in February 2018… exhibited opposite Pablo Picasso at Sotheby’s Hong Kong last month… the American artist George Condo is receiving ever-more support from the art market’s major players and his influence on the Contemporary scene is clearly growing. Meanwhile… his prices are soaring. Artprice takes […]
The best sales in Spain [2016年09月16日]
Discover the best sales every Friday! Every other Friday, Artprice posts a theme-based auction ranking. This week, the ten best results recorded in Spain during the first half of 2016 are reviewed. The best sales in Spain Rank Artist Hammer Price Artwork Sale 1 Joaquín SOROLLA Y BASTIDA (1863-1923) $421,989 Monte Ulía, san Sebastian (1917) […]
新闻简报 : Giovanni Anselmo – Barbara Hepworth – Art Basel [2015年06月26日]
每两周，Artprice都会使用寥寥数语和多项数据对艺术市场的最新动态进行盘点 : 乔凡尼·安塞尔莫(Giovanni Anselmo)名震艺拍市场 – 芭芭拉‧赫普沃斯（Barbara Hepworth）—现代世界的雕塑 – 巴塞尔艺术博览会盛大开幕
新闻简报: 澳大利亚举行日本艺术展 – 万众瞩目的妮基·桑法勒 – ART.FAIR 2014现当代艺术博览会 [2014年10月03日]
每两周，Artprice都会使用寥寥数语和多项数据对艺术市场的最新动态进行盘点: 澳大利亚举行日本艺术展 – 万众瞩目的妮基·桑法勒 – ART.FAIR 2014现当代艺术博览会
巴黎当代艺术拍卖排行榜 [2013年08月19日]
又到周五了，太棒了！每两周，Artprice都会向您推荐新的拍卖纪录排行榜。本周的主题：2012年7月至2013年6月巴黎当代艺术十佳拍卖。 让－米歇尔·巴斯奎特(Jean-Michel BASQUIAT)再次成为西方拍卖排行榜上不可或缺的人物，他同时也跻身纽约和伦敦地区的十强榜单。该艺术家是巴黎市场中唯一一位身价超过百万的当代艺术家（生于1945年以后）。他凭借一己之力，以四件重量级作品取得了1,056.5万美元的收入，占巴黎十强的77%。我们先来回忆一下这位艺术家在当代艺术市场占有多么重要的地位：在2012-2013年度的伦敦十强中，他的作品拍卖收入达5,882万美元（占十强的65%）；在纽约十强中，收入 达1.242亿（约占榜单的68%）。 排名 艺术家 成交价 作品 拍卖行及时间 1 让-米歇尔•巴斯奇亚 6536000美元 “Crown hotel (mona lisa black background)” (1982) 05/06/2013 (Sotheby’s PARIS) 2 让-米歇尔•巴斯奇亚 1837935美元 Sans titre (1982) 04/12/2012 (Artcurial (S.V.V.) PARIS) 3 让-米歇尔•巴斯奇亚 1814366美元 Sans titre (1981) 20/10/2012 (CORNETTE DE SAINT CYR Maison de Ventes S.A.S PARIS) 4 凯特•哈林 880817美元 Sans […]
艺术巴黎博览会——2012年3月29日至4月1日 [2012年03月27日]
2012年巴黎的第一件艺术盛事，艺术巴黎博览会将在新一轮的改头换面后于3月29日对外开放。4天的会展时间预计将吸引4.8万游客莅临参观。
Art Paris Just Art: 31 March – 3 April 2011 [2011年03月22日]
Art Paris returns to its usual venue, the impressive Nave of the Grand Palais, where it will welcome around 48,000 visitors over four days. Doors will open to the general public on 31 March.
Ahead of the May sales [2010年04月06日]
Ahead of the major Impressionist, Modern and Contemporary art sales in May, collectors have been making their annual pilgrimages to art fairs around the world. During March and April, those interested in Contemporary art have been particularly attracted to the Armory Show, Art Paris, Art Tokyo, Art Brussels, Cige, etc.
Street Art is à la mode [2010年03月30日]
Born on the streets of New York in the 1960s and incarnating rebelliousness and non-conformity, tags, graffiti and stencils have found their way into galleries, auction rooms and collections. Today, street art is clearly fashionable having earned its stars in numerous exhibitions at venerable institutions like the Tate Modern in London (Street art, 23 May – 25 August 2008) and the Grand Palais of Paris (Tag, 27 March – 26 April 2009).
Contemporary drawing prices [2009年03月22日]
Demand for contemporary drawings started to accelerate in New York at the beginning of this decade before spreading to other cultural capitals.In 2002, the MOMA put on a show entitled Drawing Now: Eight Propositions, a large exhibition bringing together 300 contemporary drawings by 26 prominent European, Asian and American artists including David THORPE, Paul NOBLE, Toba KHEDOORI, Kara WALKER, Yoshitomo NARA, Elizabeth PEYTON, Ugo RONDINONE and Chris OFILI.
Keith Haring- Using the streets as a laboratory [2007年08月12日]
At the beginning of the 1980s, Keith Haring chose a direct and alternative mode of expression at the heart of the urban landscape. Between 1980 and 1985, he produced hundreds of drawings in the streets and subways of New York, working so frenetically that he sometimes turned out more than 40 drawings in a single day. Haring wanted to reach a wide public and so developed a synthetic, energetic, and rhythmic graphic style that feeds on pictograms, and is inspired by graffiti, cartoons and comic strips. The Haring “style” rapidly became one the most popular visual languages of the 20th century.
Graffiti art- From the street to the museum [2007年05月23日]
Historically, graffiti was an underground movement, born to the Hip-Hop rhythm in the American ‘hoods of the 1970s. It is people’s art, rough and ephemeral. Rough because it was created illegally in public spaces. Ephemeral because its lifespan, subject to external constraints, is necessarily limited. The prohibitions which hit this urban art right from its beginnings in Europe could not stop its expansion during the 1980s. At the end of the decade it had become a veritable fashion phenomenon, in the press and on museum walls. Aside from urban buildings, street furniture and public transport, the graffiti artists created works on canvas, paper or street hoardings which are now prized by a growing number of collectors.
Contemporary art market: Christie’s beats the record for an art auction with USD 133.7 million [2005年05月12日]
On 12 May 2005, Christie’s set a new record for a contemporary art auction, generating USD 31.7 million more than the existing record of USD 102.7 million also set by Christie’s last year. It only took 65 lots to reach USD 133.7 million. As spectacular, 17 records were beaten during this evening session alone. The record-breakers include notably Franz Kline, Edward Hopper, James Rosenquist, Elizabeth Peyton, Richard Prince and Peter Doig.
Contemporary Art Auction in Paris focused on New Realists [2005年04月05日]
On 19 April, the auction house Cornette de Saint Cyr well be the venue for a major auction of contemporary art dedicated to the New Realists and entitled “The ‘New Realists’, Contemporary Art, Banque Worms Collection”. This is not the first time.
Keith Haring (1958 – 1990) [2003年09月29日]
Haring was one of the leading lights of American graffiti. His prices rose steadily in the 1990s but recent months have seen a decline.
How does the French contemporary art market measure up today? [2003年06月30日]
Since it reformed its auctioneers, France has increased its share of the auction market from 7% of worldwide turnover in 2001, to 8.6% in 2002. Yet growth in the wider sector has done little for the contemporary art market. France only generated 4.5% of the proceeds from contemporary artworks in 2002.
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