施林·奈沙 (1957)的艺术市场新闻

Artprice最近一期艺术市场报告

艺术市场观察目录

伊朗艺术家 [2012年08月03日]

又到了星期五,这个重要的日子!两周一次, Artprice向您提供一个按照主题分类的拍卖名次。这周的主题:最杰出的十位伊朗现代艺术家

艺术巴黎博览会——2012年3月29日至4月1日 [2012年03月27日]

2012年巴黎的第一件艺术盛事,艺术巴黎博览会将在新一轮的改头换面后于3月29日对外开放。4天的会展时间预计将吸引4.8万游客莅临参观。

中东艺术家 [2011年09月16日]

又到周五了,非常好!每两周,Artprice都会按主题发布一个新的拍卖纪录排行榜。本周:来自中东现代艺术家的十大拍卖品排行榜。

Photography fair in Paris [2009年11月17日]

From 19 to 22 November 2009, the Carrousel du Louvre in Paris will host 89 galleries at Paris Photo. This year the fair’s spotlight is on Arab and Iranian photography after a particularly dynamic 2009 for contemporary art from the Middle East: New Art from the Middle East at the Saatchi Gallery in London (30 Jan-uary – 9 May 2009)

Venice Biennial Art Fair: the Golden Lion prize [2009年06月08日]

The 53rd Venice Biennial Art Fair opens to the public on 7 June 2009. For six months it presents a panorama of global contemporary art in pavilions representing the artists and countries invited. Launched in 1895, the Venice biennial has a long tradition of selecting a handful of artists to receive its prestigious prizes. Do the Golden Lions – awarded parsimoniously over the years – constitute an accelerator for the price indices of the artists that receive them?

Iranian art boom – 2006-2008: « progress report » [2008年08月04日]

In two years, Dubai has clearly affirmed itself on the global art market with the first edition of Art Dubai in 2007 – inviting some 30 galleries from around the globe – and with the establishment of both Christie’s (2006) and Bonhams (2008) in the city. Since their arrival, the two action houses have been selling works by modern and contemporary artists from Tunisia, Egypt, Morocco, Lebanon and Iran and they have succeeded in fostering growing demand as well as significant price inflation. The Dubai prices represented his record.

Contemporary art – New arrivals to the world of public auctions [2008年06月24日]

Every year, nearly 3,000 artists have their first work(s) sold at auction. This first sale is a significant step because for most people the prices they command represent a sort of benchmark which follows them throughout their career. Galleries find it less easy to support their favourite artists if the latter have not shown the capacity to generate sufficiently strong performances in the public auction arena. Likewise, a strong auction performance is an ideal trampoline for guaranteeing the success of future exhibitions on the primary market.So who got started in 2007? Artprice looks at the top 50 new entrants.

How does the French contemporary art market measure up today? [2003年06月30日]

Since it reformed its auctioneers, France has increased its share of the auction market from 7% of worldwide turnover in 2001, to 8.6% in 2002. Yet growth in the wider sector has done little for the contemporary art market. France only generated 4.5% of the proceeds from contemporary artworks in 2002.

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