백남준 (1932-2006)的艺术市场新闻

Artprice最近一期艺术市场报告

艺术市场观察目录

Flash news about NFT [2021年05月28日]

Results of the first NFT sale in Europe It was a first for the “old continent’: on 20 May, the European auction house Millon offered 13 NFTs for prices ranging between 400 and 20,000 euros in Brussels. The sale’s final tally was consistent with the overall estimate of 70,000 euros (approximately $85,000), without any of […]

Phillips hammers record after record in Ultra-Contemporary art [2021年03月17日]

In the U-C market – that Philips has made a strategic priority – the thirst for novelty seems unquenchable. The success of its New Now sales, mixing established signatures with young artists on auction debuts, just keeps unfolding… Hosted on 3 March last, Phillips’ latest New Now session elicited enthusiasm from all over the globe […]

Works collected by Christo and Jeanne-Claude arrive at Sotheby’s [2021年02月05日]

Like all artists, CHRISTO (1935-2020) and Jean-Claude fraternized with other artists and in some cases became very close friends. And like most artists, they also acquired and surrounded themselves with artworks they particularly liked. Christo and Jeanne Claude together acquired some exceptional pieces during their lives including works by Andy WARHOL, Marcel DUCHAMP, Lucio FONTANA […]

Top results in Korea [2018年10月05日]

Every fortnight Artprice offers you a theme-based auction ranking that provides insight into the principal trends in the global Art Market. This week’s ranking looks at the most sought-after artists in Seoul. There is only one non-Korean artist in this Special Seoul ranking: the wonderfully obsessive Yayoi KUSAMA. It is not surprising to see this […]

Art, in augmented reality [2018年09月25日]

“I must not hurt humans”… The repeated written sentence as punishment… for a robot! The installation Punishment (2017) by Filipe Vilas-Boas and Paul Coudamy features a large articulated arm “sitting” at a desk, busy copying the first fundamental law of robotics, as formulated by science fiction writer Isaac Asimov. However, artificial ‘intelligence’ in the field […]

新闻简报:我的布宜诺斯艾利斯:标准化的解药 – 希克(Sigg)藏品展 – 高古轩从现在起代表白南准(Nam June Paik) [2015年08月28日]

每两周,Artprice都会使用寥寥数语和多项数据对艺术市场的最新动态进行盘点。 标准化的解药 – 希克(Sigg)藏品展 – 高古轩从现在起代表白南准(Nam June Paik)

新闻简报 : #ARTVIDEO – 谢尔盖·波利雅科夫 – 让·胡斯汀 [2014年01月10日]

每两周,Artprice都会使用寥寥数语和多项数据对艺术市场的最新动态进行盘点 : #ARTVIDEO – 谢尔盖·波利雅科夫 – 让·胡斯汀

走近视像艺术以及该艺术类别在2010年6月至2012年5月期间的十佳拍卖纪录 [2012年05月25日]

又到周五了,太棒了!每两周,Artprice都会按主题发布一个新的拍卖纪录排行榜。本周的主题是:走近视像艺术以及该艺术类别在2010年6月至2012年5月期间的十佳拍卖纪录。

战后和当代韩国艺术家 [2011年09月30日]

又到周五了,非常好!每两周,Artprice都会按主题发布一个新的拍卖纪录排行榜。本周: 战后和当代韩国艺术家创下的2011年上半年十大最佳拍卖战绩。

2011KIAF韩国国际艺术博览会 – 总结 [2011年09月27日]

第二届KIAF韩国国际艺术博览会刚刚结束,借此机会,Artprice可以为这个世界现 代艺术排名第十三的韩国艺术博览会做一次总结。

Contemporary Korean art [2010年09月21日]

A strong symbol of the dynamism of Contemporary Korean art, the 9th edition of the Korean International Art Fair (KIAF) came to an end last week.

Video art: Top 10 auction results [2010年06月24日]

Every fortnight Artprice provides you with a new or updated ranking in its Alternate-Friday Top Series.The theme of today’s TOP article is the Top 10 auction results recorded in video art.

Contemporary Korean Art [2008年10月23日]

On the one hand, Korean art is being driven by changes within the country that started 20 years ago with the Olympic Games in Seoul and the first fully democratic elections, and on the other hand, by the remarkable success of contemporary Chinese and Indian artists.While Asian auction houses, such as Borobudur Singapore and Seoul Auction Center, are driving the market there, the global majors, Christie’s and Sotheby’s, recently integrated Korean art into their Contemporary Asian Art sales. Korea also has its own art fair, the KIAF, whose seventh edition ended in September.

Video art – the moving image [2007年09月19日]

The artist, according to Wassily Kandinsky’s time-honored expression, is ‘the child of his time’. So what could be more normal than to appropriate contemporary technologies, in addition to the images and ideas of one’s era. The boom of television during the 1960s awakened artists, in the United States as in Europe, to the possibilities of a ‘video art’. For nearly fifty years, artists have been exploring the many qualities video has to offer in terms of manipulating the image, narrative power and the temporal dimension.

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