马尔科姆·莫雷 (1931-2018)

其他可能的“作品鉴别”类别: 款, 仿

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Bad Painting emerged in the United States at the end of the 1970s and flourished in the 1980s. The “Bad boys” of painting are Jean-Michel Basquiat, Neil Jenney, Kenny Scharf, Julian Schnabel, Malcolm Morley, David Salle, Jonathan Borofsky and Donald Sultan. They glory in the bad taste of their work, draw inspiration from fringe and popular culture, introduce various materials into their paintings, and play on excessively thick layers and clashing colours. This reversion to expressionism in painting staked out its territory in opposition to the period’s established codes of austere minimalism and conceptual art.

Hyperrealism, which emerged in the USA in the 60s, inherits its attachment to a banal everyday version of reality from Pop art. The artists draw their subjects from real life; but it is a “second-hand” real life, because they do not create their works directly in front of the person or thing they are depicting, but from photographs. They demonstrate a great, often laborious, technical virtuosity, to transcribe a reality that has been examined under a microscope.

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(美国)籍艺术家马尔科姆·莫雷 (1931-2018), 该艺术家最早的成交记录为水彩作品作品,于1985年在佳士得拍出。其最新的成交记录则为版画作品,于2022年拍出。Artprice“数据分析与图表”以690则拍卖结果为依据。 特别是:水彩作品, 版画, 绘画, 雕塑. 艺术家马尔科姆·莫雷 (1931-2018)的作品:2,即将上场拍卖。