FUTURA 2000 (1955)

Lenny MCGURR
其他可能的“作品鉴别”类别: 仿

艺术市场观察

Born on the streets of New York in the 1960s and incarnating rebelliousness and non-conformity, tags, graffiti and stencils have found their way into galleries, auction rooms and collections. Today, street art is clearly fashionable having earned its stars in numerous exhibitions at venerable institutions like the Tate Modern in London (Street art, 23 May – 25 August 2008) and the Grand Palais of Paris (Tag, 27 March – 26 April 2009).

Historically, graffiti was an underground movement, born to the Hip-Hop rhythm in the American ‘hoods of the 1970s. It is people’s art, rough and ephemeral. Rough because it was created illegally in public spaces. Ephemeral because its lifespan, subject to external constraints, is necessarily limited. The prohibitions which hit this urban art right from its beginnings in Europe could not stop its expansion during the 1980s. At the end of the decade it had become a veritable fashion phenomenon, in the press and on museum walls. Aside from urban buildings, street furniture and public transport, the graffiti artists created works on canvas, paper or street hoardings which are now prized by a growing number of collectors.

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的FUTURA 2000 (1955)是出生于1955的艺术家。 他在本站上的最早一笔成交记录为 绘画,于1987年在Perrin-Royère-Lajeunesse拍出。最新一笔记录则为于2021年拍出的版画。他在Artprice.com艺术家关键数字及市场趋势是依据423笔成交结果所作的分析。 特别是:绘画, 版画, 物品, 雕塑, 水彩作品, 挂毯, 家具.