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ArtMarket® Insight,艺术市场即时趋势报导

Artprice最近一期艺术市场报告

艺术市场观察目录

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Impressionism? Anglo-Saxon hammer prices on the wane. [2002年07月01日]

Recent sales at the London auctions of 24 and 25 June confirm the resurgence of French impressionism which had been rather overshadowed in 2001. The healthy demand for the school was underscored when Claude MONET‘s Nymphs fetched GBP12,250,000 at Sotheby’s. At the same time, the popularity of British and US impressionists, who made such a splash in 2000, seemed to have waned.

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Annual average yield on paintings since May 1996: 6.82% [2002年06月30日]

Many economists, such as W. Beaumol, have questioned whether works of art yield better returns than financial assets, even at the height of the late-eighties speculative boom. Over the periods studied, returns were lower than those available on equities markets. But with share prices apparently locked in a downward spiral, the conclusions today are somewhat different.

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The art market through the seasons: London at the fore of the art market in June [2002年06月16日]

Prestigious auctions are increasingly concentrated in the same places and during specific seasons. By holding high-profile events at the same time and in the same place when the art season is at its peak auction houses can achieve economies of scale. They seek to galvanise the media with press conferences and other events so as to attract collectors to a sale of some exceptional particularly sought-after pieces.

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Putting a price-tag on works of art [2002年06月16日]

If you think art prices are prohibitive, think again! Half of all artworks are auctioned at below EUR 1,000. Top hammer prices and other exceptional works auctioned over EUR 100,000 account for only 1.5% of auctioned lots! 15% of works sold are multiples or lithographs and rarely sell for more than EUR 1,500.

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CoBrA on the crest of a wave [2002年06月15日]

The price of paintings by artists belonging to the Cobra movement has risen by 50% in the last six months in what clearly amounts to a significant revaluation of their work.

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Winds of change in the world of French art auctions [2002年06月14日]

French auctions have always been concentrated in Paris and dominated by the auctioneers of Drouot, who between them knocked down around 50% works of art sold at auction. The Tajan auction house had the highest turnover in the art auction market.

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Contemporary photography: prices surge in this more selective and transparent market [2002年06月13日]

In a market segment which attracts young collectors hammer prices rise and fall in line with sales. Despite being a particularly unstable market, contemporary photographers have commanded steadily rising prices in recent years. But prices are still influenced by economic swings and speculation. The talent of these artists is not yet rooted in art history or in the market. Selection is particularly tough.

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In less than 6 months, Sotheby’s and Christie’s have captured 23% of the French market. [2002年06月13日]

While rumors suggest Drouot, the traditional home for France’s auctioneers, may be sold, Sotheby’s and Christie’s have burst onto the French market. France recently reformed its auctions market throwing it open to competition. French art has long held a great allure for foreign auction houses, and Sotheby’s and Christie’s have been quick to make the most of the new regime.

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The art auction market goes international [2002年06月08日]

Prestigious auctions held in Hong Kong, Melbourne, Singapore, Tel Aviv, and other locations, by Sotheby’s and Christie’s have set the art market in an international context. The US continues to dominate with around a 50% share in 2001. But Europe’s share is substantial and gaining ground each year. The rest of the world still has a timid presence in the auction market but is becoming more active. The market share commanded by US auctions has fallen from 66.3% in 1997 to 48% in 2001.

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