Letter of authentication on the gallery letterhead.
签名
右下图
作品不含裱框面积
80 x 60 cm(31.5 x 23.62 in)
开立收据之单位/机构
MLA Gallery
作品现状
优秀
作品描述
Permanent collections: University of Arizona Museum of Art, Tucson, Arizona
Tucson Museum of Art, Tucson, Arizona
Estremadura Museum of Art, Estremadura, Spain
Huerta practices what the Cubans call "lo real maravilloso", a counterpart to the magical realism in Latin-American literature. He paints in an Old World palette, in browns, golds, yellows and ambers, with jolts of pale blue or red here and there. The landscape of Cuba, often a backdrop to the fantastic goings-on, emerges in soft, blurry rows of palm trees and glints of light on rooftops. The Old Masters can take credit for some of Huerta's wildness. His machines have their roots in Leonardo da Vinci's drawings of flying contraptions, moving dykes, pulleys and cranks. Huerta's fantastic creatures, half-human, half-animal, and his apocalyptic visions owe a debt to Hieronymus Bosch. And his imagination, follows the free flights of Francisco Goya.
Permanent collections: University of Arizona Museum of Art, Tucson, Arizona
Tucson Museum of Art, Tucson, Arizona
Estremadura Museum of Art, Estremadura, Spain
Huerta practices what the Cubans call "lo real maravilloso", a counterpart to the magical realism in Latin-American literature. He paints in an Old World palette, in browns, golds, yellows and ambers, with jolts of pale blue or red here and there. The landscape of Cuba, often a backdrop to the fantastic goings-on, emerges in soft, blurry rows of palm trees and glints of light on rooftops. The Old Masters can take credit for some of Huerta's wildness. His machines have their roots in Leonardo da Vinci's drawings of flying contraptions, moving dykes, pulleys and cranks. Huerta's fantastic creatures, half-human, half-animal, and his apocalyptic visions owe a debt to Hieronymus Bosch. And his imagination, follows the free flights of Francisco Goya.