Lithograph 6 colors printed with Marinoni machines and hand cut. Paper White BFK Rives 270 g.
Signed and numbered by the artist.
"I preferred not to take a large painting and scale it down to the size of the lithograph. For me the lines loose a lot of strength and energy when they are put out of proportion.
Working with Print Them All and Idem was a great experience. The old printing factory in Paris is a piece of art itself. On my first day, Alëxone Dizac was painting on a stone for his lithograph, in the machine was a litho by Vhils, another one by Bezt just got stacked up and C215's got numbered after he had just signed them. I fall immediately in love with the place and the old honorable printing locomotives. Watching them work made me feel good and it was honestly the first time that I really understood the craft and the difference between a lithograph and a silkscreen print."
Lithograph 6 colors printed with Marinoni machines and hand cut. Paper White BFK Rives 270 g.
Signed and numbered by the artist.
"I preferred not to take a large painting and scale it down to the size of the lithograph. For me the lines loose a lot of strength and energy when they are put out of proportion.
Working with Print Them All and Idem was a great experience. The old printing factory in Paris is a piece of art itself. On my first day, Alëxone Dizac was painting on a stone for his lithograph, in the machine was a litho by Vhils, another one by Bezt just got stacked up and C215's got numbered after he had just signed them. I fall immediately in love with the place and the old honorable printing locomotives. Watching them work made me feel good and it was honestly the first time that I really understood the craft and the difference between a lithograph and a silkscreen print."