Cement & marble powder on foam panel. Structural and hanging frame on the back.
Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the cement over Ursalite (high-density foam panels), creating pieces ranging in size from one to eight square meters.
Wanawhite is part of a body of work where the artist explores the notion of whiteness.
White is pure light (and conversely); It is the optical combination of all colours; But if you combine all the pigments colours, you will get a grey-beige, never a pure white. White is someting else.
In his explorations, Auville works with white cements, a deeply matte (and very white) material.
Wanawhite is a game between various hues of white. According to Auville, when working with white, the texture and shine are more important than the colour itself.
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Cement & marble powder on foam panel. Structural and hanging frame on the back.
Auville works with construction cement. Applying techniques used in the construction and ship building industries, he spreads the cement over Ursalite (high-density foam panels), creating pieces ranging in size from one to eight square meters.
Wanawhite is part of a body of work where the artist explores the notion of whiteness.
White is pure light (and conversely); It is the optical combination of all colours; But if you combine all the pigments colours, you will get a grey-beige, never a pure white. White is someting else.
In his explorations, Auville works with white cements, a deeply matte (and very white) material.
Wanawhite is a game between various hues of white. According to Auville, when working with white, the texture and shine are more important than the colour itself.