Inscriptions: below, in capital letters: CAPTVM OCVLIS. PATREM PINGVI DECEPIT IACOB/ HAEDINA [?] VILLIS MATRE TEGENTE MANVS.
Some traits of particular beauty (the male heads, the sensitive and throbbing hands) recall to Leandro directly. The drawing accuracy, even more extreme, compared with early works such as the altarpiece in Pove del Grappa or the San Bonaventura in the Civic Museum of Bassano (1611), may suggest the presence of a talented collaborator who could be recognized with Giacomo Apollonio, Jacopo’s nephew.
Inscriptions: below, in capital letters: CAPTVM OCVLIS. PATREM PINGVI DECEPIT IACOB/ HAEDINA [?] VILLIS MATRE TEGENTE MANVS.
Some traits of particular beauty (the male heads, the sensitive and
throbbing hands) recall to Leandro directly. The drawing accuracy, even more
extreme, compared with early works such as the altarpiece in Pove del
Grappa or the San Bonaventura in the Civic Museum of Bassano (1611), may
suggest the presence of a talented collaborator who could be recognized
with Giacomo Apollonio, Jacopo’s nephew.