Painting on board signed HG bottom left under Adam’s right foot. Inspired by his etching Adam and Eve with the serpent of 1585 (21,3x15,6cm). Catalogue raisonné Bartsch n°271; CR Hollstein n°316; CR Strauss n°217. The etching being inspired by a drawing of Bartholomäus Spranger (1546-1611).
22 pages study available : I/ Provenance & Attribution of the painting IA – Provenance : A painting coming after the H. Goltzius etching of 1585 IB – A painting attributed to Hendrick Goltzius Authenticity is confirmed by the nearly similar prior etching and by the monogram HG signature II/ Goltzius repeted theme of Adam & Eve confirm attribution & dating II-A. The other artworks by Goltzius about Adam & Eve confirm 1600 dating II-B. Why Adam & Eve theme III- Other artworks by Goltzius to be compared III-A- Drawings and paintings by Goltzius III-B- Etchings by Goltzius after Bartholomeus Spranger
Painting on board signed HG bottom left under Adam’s right foot. Inspired by his etching Adam and Eve with the serpent of 1585 (21,3x15,6cm). Catalogue raisonné Bartsch n°271; CR Hollstein n°316; CR Strauss n°217.
The etching being inspired by a drawing of Bartholomäus Spranger (1546-1611).
22 pages study available :
I/ Provenance & Attribution of the painting
IA – Provenance : A painting coming after the H. Goltzius etching of 1585
IB – A painting attributed to Hendrick Goltzius
Authenticity is confirmed by the nearly similar prior etching and by the monogram HG signature
II/ Goltzius repeted theme of Adam & Eve confirm attribution & dating
II-A. The other artworks by Goltzius about Adam & Eve confirm 1600 dating
II-B. Why Adam & Eve theme
III- Other artworks by Goltzius to be compared
III-A- Drawings and paintings by Goltzius
III-B- Etchings by Goltzius after Bartholomeus Spranger