The work is signed FLéger, titled Verdun and dated 1916 (upper left).
During the World War I, Leger served in the artillery troops – where, as a true artist, he found his inspiration – he was impressed by the brilliance of metal guns shining in the sun. As the artist himself writes: "the breech of the cannon, the sun beating down, the rawness of the object itself. That's where I was formed."
At the World War I, Fernand Leger did not have the opportunity to seriously paint, but he did a lot of sketches. He drew on small pieces of paper – on everything that came to hand. It was important for the artist to capture all the terrifying and shocking details of the war, which he interpreted as a collective killing machine.
Provenance
Sale: Zurich, Koller AG, June 24, 2003
Private collection, Italy (acquired at the above sale)
Present owner- private collection (acquired at the Sotheby's, Paris, 2018)
The work is signed FLéger, titled Verdun and dated 1916 (upper left).
During the World War I, Leger served in the artillery troops – where, as a true artist, he found his inspiration – he was impressed by the brilliance of metal guns shining in the sun. As the artist himself writes: "the breech of the cannon, the sun beating down, the rawness of the object itself. That's where I was formed."
At the World War I, Fernand Leger did not have the opportunity to seriously paint, but he did a lot of sketches. He drew on small pieces of paper – on everything that came to hand. It was important for the artist to capture all the terrifying and shocking details of the war, which he interpreted as a collective killing machine.
Provenance
Sale: Zurich, Koller AG, June 24, 2003
Private collection, Italy (acquired at the above sale)
Present owner- private collection (acquired at the Sotheby's, Paris, 2018)