In every way exceptional, this is a very fine work for serious collectors of the Animaliers.
A large and complex group, this sculpture is cast using the lost wax method in many individual parts that are then painstakingly chiseled and joined to create a fully developed naturalistic landscape. Originally exhibited in 1864 (Mackay, p. 78), the sculpture is known both as "Pheasant with Weasel" and "Cock Pheasant frightened by a Stoat" - the documented dimensions are 19 1/2" or 49 cm's (Mackay, p. 151). The level of detail in the work is remarkable in it's preciseness and totality - Moigniez captures this expression in a way that is authentic to their environment and true to the nature of each animal.
Condition Report:
Plant in rear has intentional wiggle. Tail tip flat, appears to have been cast as such. Original patina with traces of verdigris oxidization in crevices.
PRICE IS NEGOTIABLE
In every way exceptional, this is a very fine work for serious collectors of the Animaliers.
A large and complex group, this sculpture is cast using the lost wax method in many individual parts that are then painstakingly chiseled and joined to create a fully developed naturalistic landscape. Originally exhibited in 1864 (Mackay, p. 78), the sculpture is known both as "Pheasant with Weasel" and "Cock Pheasant frightened by a Stoat" - the documented dimensions are 19 1/2" or 49 cm's (Mackay, p. 151). The level of detail in the work is remarkable in it's preciseness and totality - Moigniez captures this expression in a way that is authentic to their environment and true to the nature of each animal.
Condition Report:
Plant in rear has intentional wiggle. Tail tip flat, appears to have been cast as such. Original patina with traces of verdigris oxidization in crevices.