品类
版画创作技法
丝网印刷作品类型
同一版本印制/再制数件作品 ( Edition of 250 signed in ball-point pen and numbe)开立证明书之单位/机构
Revolver Gallery签名
亲笔签名作品不含裱框面积
36 x 36 in(91.44 x 91.44 cm)
开立收据之单位/机构
Revolver Gallery 作品现状
票据作品描述
安迪·沃霍尔
(1928-1987)
Mao 99 (1972)
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Mao 99 is a print by Andy Warhol included in his Mao portfolio from 1972. Mao 99 (sometimes called the “blue Mao”) and the nine other silkscreen prints in the series are the culmination of Warhol’s interest in Chinese culture, specifically, Maosim. The prints represent a puzzle of two opposing political ideologies. However, a glaring synthesis between Chinese propaganda and Warhol’s silkscreen printing technique occurs in the repetition of images. Repetition is the most immediate principle in capturing the attention of the masses–and the massively reproduced works of Zedong and Warhol prove this.